Sensitivity to pitch is widely varying among people. Some people are called "tone deaf" if they show that they cannot duplicate a pitch however hard they try, but many believe that no person is completely unable to distinguish pitches. Others have stunning abilities to recognize pitch accurately and effortlessly; these people are said to have absolute pitch, and sometimes perfect pitch. Perfect pitch is sometimes defined as the ability to produce pitch accurately if given a reference pitch, even if they cannot identify pitch without a reference. In this sense, a person who is highly skilled at sight-reading or solfeggio might be considered to have perfect pitch, even if they need a reference pitch to start with. Whatever the case, singing is usually best when the performer can 'hit' the notes accurately, while using variance in the pitch deliberately to achieve beautiful musical effects. Examples are vibrato, trills and portamento. Excessive 'sliding up' to the note one is singing has become very commonplace and I usually find it grating. When someone with keen sensitivity to pitch hears a singer with less pitch sensitivity, the result can be unpleasant. The listener wants to hear notes hit accurately, and the performer may not even be aware that there is any problem at all. We are not talking about timbre, or complexity of the sound itself, but the pitch (frequency) of the notes hit. There is something called "Sprecht-gesang" (sp?) [speech-song] which is found in some 20th century music. This is where passages are "sung" in a way that is very similar to the intonations of language. The intention is not to produce melodic lines as in a standard song, but to stylize vocal utterances in a more linguistic way and usually without strict regard to the exact pitch levels of dodecaphonic western musics. While this kind of speech song can be part of stunningly beautiful music, few would disagree that the performers are singing 'out of key'.
short string plucked hard
It changes because it depends if you do it soft or hard that is why it sounds different
Loudness for an acoustic guitar depends on how hard you pluck the string. Loudness for an electric guitar depends on how loud the speaker setting is. Pitch depends on which string you pluck, and which fret, if any, you are fingering. The tighter the string, the higher the pitch, in general. The shorter the section that is allowed to vibrate, the higher the pitch of that string.
Yes! Its very hard but you have to keep working on it. The pitch falls down when you go that high. You just have to work on it. It also is a note only dolphins can hear ;)
well i can not really answer this because many people try various ways to pitch accurately i am a pitcher myself and i go to a pitching coach. if you want to pitch accurately, i suggest you go to a pitching coach.
When going for a slash, it is hard to pee accurately whilst playing Pokemon on your 3DS
If you don't the design will not work.
it's a windmill pitch. very hard to explain.
Profitability Index
Depends how good you are (;
Pitch is how soft or hard (high or low) the frequency of a wavelength is. Thanks for using Answers!
Pitch is how soft or hard (high or low) the frequency of a wavelength is. Thanks for using Answers!
Pitch is how soft or hard (high or low) the frequency of a wavelength is. Thanks for using Answers!
Sensitivity to pitch is widely varying among people. Some people are called "tone deaf" if they show that they cannot duplicate a pitch however hard they try, but many believe that no person is completely unable to distinguish pitches. Others have stunning abilities to recognize pitch accurately and effortlessly; these people are said to have absolute pitch, and sometimes perfect pitch. Perfect pitch is sometimes defined as the ability to produce pitch accurately if given a reference pitch, even if they cannot identify pitch without a reference. In this sense, a person who is highly skilled at sight-reading or solfeggio might be considered to have perfect pitch, even if they need a reference pitch to start with. Whatever the case, singing is usually best when the performer can 'hit' the notes accurately, while using variance in the pitch deliberately to achieve beautiful musical effects. Examples are vibrato, trills and portamento. Excessive 'sliding up' to the note one is singing has become very commonplace and I usually find it grating. When someone with keen sensitivity to pitch hears a singer with less pitch sensitivity, the result can be unpleasant. The listener wants to hear notes hit accurately, and the performer may not even be aware that there is any problem at all. We are not talking about timbre, or complexity of the sound itself, but the pitch (frequency) of the notes hit. There is something called "Sprecht-gesang" (sp?) [speech-song] which is found in some 20th century music. This is where passages are "sung" in a way that is very similar to the intonations of language. The intention is not to produce melodic lines as in a standard song, but to stylize vocal utterances in a more linguistic way and usually without strict regard to the exact pitch levels of dodecaphonic western musics. While this kind of speech song can be part of stunningly beautiful music, few would disagree that the performers are singing 'out of key'.
It cuts a corner more accurately. Its fine teeth make a good square.
It all depends on how solid you are with your pitch and if you have done your homework before going to make a pitch to a potential client. Normally, it is considered hard due to the competition.